![]() ![]() To bring any of these tapeless files into your Adobe Premiere Pro projects, use the Media Browser panel to navigate to and select the files. (adapted from using Adobe Premiere Pro CS5 with Canon digital video cameras)Īdobe Premiere Pro CS5 offers full native format support for the standard- and high-definition video formats used by Canon video cameras-DV, HDV, and AVCHD, as well as the new Canon XF MPEG-2 codec. A more extensive examination for each type of codec can be found in the original Adobe documents, linked here and at the end of this article in the Resources section. The material on this page, covering various HD video format workflows, is an abridged overview which has been condensed from a series of Adobe resource guides. Mobile (Laptop) Configurations for Adobe Premiere Pro Studio (Desktop) Configurations for Adobe Premiere Pro User Testimonial: From Sony Vegas to Adobe Premiere Pro User Testimonial: From Final Cut Pro to Adobe Premiere Pro Working with AVCHD video clips from Panasonic AVCCAM camcorders Working with MPEG-2 video clips from Sony XDCAM HD & EX camcorders Working with H.264 video clips from Canon and Nikon D-SLR camera Working with Canon XF codec MPEG-2 video clips and other Canon video formats Then we’ll look at hardware options for configuring a desktop system or a mobile editing laptop using Adobe Premiere Pro CS5. That’s followed by some user testimonials culled from our online discussion groups involving some of our DVi community members who have switched or are in the process of transitioning to Premiere Pro from other video editing programs. Import scripts from Adobe Story to create shot lists, align scripts to footage and produce rough cuts, and then optimize video to create engaging online experiences.This article, third in a DV Info Net series exploring Adobe Premiere Pro CS5, has as its focus three elements for consideration by those folks who are considering a move to Premiere Pro from other video editing applications (previously we had published Premiere Pro CS5 Tips, Tricks and Notes, by various DVi contributors, as well as Adobe Premiere Pro CS5 Six Months Later, by Pete Bauer).įirst is a brief look at the advantages of Premiere Pro when working with contemporary HD video formats, specifically the tapeless acquisition systems offered by Canon, Sony and Panasonic. Move faster from script to screen-Move from script to screen faster with Adobe Story, a new Adobe CS Live online service that integrates with Adobe Premiere Pro. ![]() Work better with other NLEs-Import and export Apple Final Cut Pro and Avid projects in Adobe Premiere Pro so you can explore new possibilities with After Effects, Photoshop, and other Adobe software, bringing timesaving integration between Adobe tools to projects created in these other NLEs. Capture and log footage from virtually any camera-including tapeless cameras-with Adobe OnLocation CS5. Save time with industry-leading native tapeless workflows, which eliminate transcoding and rewrapping, while preserving the pristine quality of your footage. Work natively with the video formats you want and accelerate production from scriptwriting to editing, encoding, and final delivery. Adobe Premiere Pro CS5,5 software offers breakthrough performance for video production, enabling you to work dramatically faster thanks to the revolutionary native 64-bit, GPU-accelerated Adobe Mercury Playback Engine. ![]()
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